Dearests,
Well, it has been a busy couple of weeks and between day job dramas, family commitments and extensive watching of King of the Hill I haven’t found a minute to blog until now.
I do however, have plenty to be cheerful about as I am now approaching the last push on my Jackalope act. When last I wrote I had finally faced my fears about dying my corset. Since then, costuming has come on steadily. I have finished my bra, which turned out to be no mean feat. I wanted to exchange the standard back clasp for a front fastening closure (I probably should have done that before I covered the cups of the bra – just incase I botched it up and put my hard work to waste). I began with this just being fastened by ribbon but I soon realised that my mighty bosom was not going to be contained by something as flimsy as a pretty bow. So I ended up adding a small hook and eye closure to the bra and using the ribbon to hide it. I then covered the back strap and I have to say I am delighted with the results. I am still hoping to add a halter strap to the bra for a little extra support but haven’t yet found any ribbon or other material that would be suitable so I am going to wait and see how that pans out.
My music is also now finished and edited. Music selection for me is always a relatively complex process. Unless the music was the original starting point or inspiration for the act I often find I am choosy to the point of being pedantic. Originally, back many, many months ago I had about a week where all I did in my spare time was listen to and compare potential tracks for this act. I probably listened to a couple of hundred easily (no exaggerating) and made shortlists and pared those lists down and re-listened again. Back in November I finally chose a track which I really liked and another track which I cut into a one minute section to precede it. However, I found that, although I liked the track and the overall mood was appropriate, I just couldn’t make the choreography and narrative fit to it. A couple of months ago I resigned myself to search for another track and perhaps cut down my main track and still have a little of it at the end. I found something that worked really nicely but it fit better at the end of the act, much better than my original selection. So this left me in a position of having a little short intro bit that worked and an end bit that worked but no middle! Finally, about six weeks ago I found the perfect track for the middle part of my act. The music describes the action so perfectly that the choreography for that part of the act has almost written itself as the music holds all the cues. So, after running my final line up past a couple of people whose opinion I value I went ahead and edited the three together. What music did I pick? Well, you’ll have to wait ‘til the act is debuted to find that out but lets just say it has been a labour of love choosing!
As well as getting the work done on my bra, on Saturday I also received my finished antlers from Haus of Emerald (aka my sister). Unlike the last pair (the less said about them the better – I’m going to wait till December and then try to ebay them for Christmas purposes) these are light as a cloud and they look superb. I spent some time on Sunday mounting them into my wig (to my delight I didn’t have to cut the wig after all as they just threaded in the gaps between wefts– one less thing to worry about) and then moulded the base inside the wig to hold them steady. They look great although they still need a little tweaking to get the angle right – it’s hard mounting two tall antlers into a wig when you only have two pairs of hands and a limited time before the plastic sets!
So… just the last push left to go now. I am waiting on my gloves which are on order and will need tea dying when they arrive. I need to get hold of an old chest or trunk. My local car boot has stuff like this all the time but it would be just my luck that they won’t have one now for ages as now I need one! I still need to work on my choreography but that is getting there steadily. The last real making jobs are making my pasties, doing my ears, which I want to look aged and ratty and not ‘party costume’ looking, and covering my skirt. This one is going to be a pretty big job due to the size of the skirt and the fact that I want to cover at least some of it with home felted raw wool. I’ll let you into a secret: The people who say that felting is a fun hobby are fibbing! Felting is a big pain in the butt and it takes ages and your hands go all pruney in the process. So the skirt is probably going to take a while longer yet, but I am trying to do a bit at a time to make a dent in it.
So I am hoping that my Jackalope might be in the finishing stages sometime in June at which point I hope to get some promo photos done and then start pimping it out. Keep your eyes peeled because no doubt any Jackalope news will be here first!
‘Til next time
X
Emerald
Showing posts with label Emerald Ace. Show all posts
Showing posts with label Emerald Ace. Show all posts
Wednesday, 28 April 2010
Tuesday, 13 April 2010
Corsets, Tea-Dying and More Fetish Thoughts
This week has been a fairly quiet one day job wise so I have managed to get a little more done burlesque-wise than usual.
The biggest achievement for me this week has been facing my fears, biting the bullet and working on my Jackalope corset. I bought a gorgeous ‘Morticia’ underbust corset some time ago now from What Katie Did (see older posts for the fun and games that I had obtaining it!). WKD are my corset people of choice as they make such gorgeous stuff (not to mention their bras, undies and what have you!) at really reasonable prices. The Morticia style is perfect for my figure as it has gored hips – I find when I wear corsets without the goring that there is not much room as I have a 28” waist to 37” hips.
Originally, I had considered getting a custom corset made as I wanted something in a yellowed out white, so that it looked aged, and most of the off the peg corsets I found came in white or ivory. However, I know and trust What Katie Did and know their corsets fit my body shape well so I decided to go with them and if need be dye the corset (NB – Disclaimer – What Katie Did do not recommend dying any of their corsets except for their ‘Music Hall’ range. I dyed mine totally off my own steam and cannot guarantee that the results I had would be the same for anyone else).
When I received the corset it was so beautiful that I didn’t dare risk dying it. I was so worried that I would accidentally shrink it, cause it to rust or do it some other sort of damage. I decided instead to embellish the corset using lace appliqués. I spent hours trawling the web looking for something that would be the right shape, size and colour and come in two symmetrical parts (as the corset is in two parts) but nothing was quite right. Then I had a light bulb moment – why buy pre-made appliqués that aren’t quite right when you can make your own? I found instructions on Google for making appliqués at home and was pleasantly surprised by how simple it was. So I ended up going to the fabric market and buying beautiful beaded bridal lace, in a light tea colour – I bought a half metre, the fabric was £120 for a whole one!!! After I had made the appliqués and sewed them on, a painstaking process that shredded the skin on my thumbs and fingers, I was delighted with the result.
So why didn’t I leave it at that? Well, I’ve never been the kind of girl to leave well enough alone. After a long conversation with my other half, he told me that in his minds eye the costume would not be white at all and that the whole thing would be a yellowish, brownish cream again aged looking but still beautiful. I agreed that that was what I had wanted to do, but that WKD had advised against dying their corset as they couldn’t predict the results. I didn’t dare bugger it up, especially as I had gone to all the work and expense with the appliqués. But the more I thought about it, the more the thought wouldn’t go away. So I decided to take the plunge and risk it in the hope of getting closer to my original vision of what the costume should look like.
I dyed the corset, and also my bloomers and bra in a tea bath. Nothing scary happened during the dying process but I was like a broody bantam fussing and checking and turning the two halves of the corset as it dried. Reputable sources had told me that if you absolutely must dye a corset you should leave it to dry flat and try and get it dry as quickly as possible. Leaving it flat was a bit of an issue because of the goring in the hips – it just isn’t cut to sit in one flat piece, but I did my best. I put it near the radiator on a drying rack and hoped for the best.
In the end I was absolutely delighted with the results for the corset. It has come out a light brownish cream and does look as though it was something that used to be white but is very old. There is a little inconsistency in the colour in a couple of places but it kind of adds to the flawed, aged effect and I don’t regret taking the risk (NB another disclaimer! I am not suggesting anyone else follow my lead and dye their own corset – mine turned out great but I can’t guarantee whether other people’s would.).
The bloomers, being made of cotton, took the colour a little darker and have come out slightly more yellow in tone which gives a nice contrast to the corset but the bra – made from mainly synthetic stuff – didn’t take the colour as strongly. It came out more like a pale brownish peach. This wasn’t a big problem though as I only wanted it dyed as a base so there would be no bright white peeking through when I covered it. I have started covering the cups of the bra with vintage lace fabric bought from my local car boot sale and then trimmed it with a cream and brown lace edging. I still need to work on the side sections and add a little more trimming and then the bra will be done.
Here’s a snapshot of my bra-in-progress and my finished corset – apologies for the rubbish phone photo.
So the Jackalope costume is now coming on in leaps and bounds. There is still lots more work to do before I can put costuming to bed, the skirt alone is going to be a mammoth task, not to mention I still need to get myself my prop and finish music editing and choreography. It looks like I will not meet my self imposed deadline I had hoped for but I think the extra time I have spent on it will pay off in the end.
In other developments – I have been thinking more about my fetish idea (see the previous post) and have decided to produce a simple version of my idea and trial it at a few burlesque events. If people seem to respond to it I’ll keep it and upgrade the costume etc (I have some very exciting – very complex ideas) to bring it in line production-wise with my other acts. If people hate it or don’t get it I’ll retire it knowing I didn’t break my back (or the bank!). It will be good, after working on my Jackalope, to do something with a quicker turnaround time and with less of my heart and soul invested. Not that I plan to just slapdash this idea out, but it would be nice to produce an act that doesn’t involve too much over-thinking, and that can be done as a bit of fun. My other half (who among his many talents, paint beautiful abstract canvasses) talked to me at great length about letting the chips fall where they may, playing, experimenting and not being too precious and trying to control everything so I am going to try and take that approach with this new piece. And apparently the universe or what have you agrees because this Sunday at the car boot (my own personal treasure trove of amazing finds) I stumbled upon something (or should I say two matching somethings?) that were exactly what I needed for a part of this new act’s costume.
I now have a couple of busy weeks vanilla life-wise but hopefully I will still be able to make time to get some burlesquey stuff done. Also, ballet starts again tomorrow after the Easter break – I feel rusty just thinking about it!
‘Til next time
X
Emerald
The biggest achievement for me this week has been facing my fears, biting the bullet and working on my Jackalope corset. I bought a gorgeous ‘Morticia’ underbust corset some time ago now from What Katie Did (see older posts for the fun and games that I had obtaining it!). WKD are my corset people of choice as they make such gorgeous stuff (not to mention their bras, undies and what have you!) at really reasonable prices. The Morticia style is perfect for my figure as it has gored hips – I find when I wear corsets without the goring that there is not much room as I have a 28” waist to 37” hips.
Originally, I had considered getting a custom corset made as I wanted something in a yellowed out white, so that it looked aged, and most of the off the peg corsets I found came in white or ivory. However, I know and trust What Katie Did and know their corsets fit my body shape well so I decided to go with them and if need be dye the corset (NB – Disclaimer – What Katie Did do not recommend dying any of their corsets except for their ‘Music Hall’ range. I dyed mine totally off my own steam and cannot guarantee that the results I had would be the same for anyone else).
When I received the corset it was so beautiful that I didn’t dare risk dying it. I was so worried that I would accidentally shrink it, cause it to rust or do it some other sort of damage. I decided instead to embellish the corset using lace appliqués. I spent hours trawling the web looking for something that would be the right shape, size and colour and come in two symmetrical parts (as the corset is in two parts) but nothing was quite right. Then I had a light bulb moment – why buy pre-made appliqués that aren’t quite right when you can make your own? I found instructions on Google for making appliqués at home and was pleasantly surprised by how simple it was. So I ended up going to the fabric market and buying beautiful beaded bridal lace, in a light tea colour – I bought a half metre, the fabric was £120 for a whole one!!! After I had made the appliqués and sewed them on, a painstaking process that shredded the skin on my thumbs and fingers, I was delighted with the result.
So why didn’t I leave it at that? Well, I’ve never been the kind of girl to leave well enough alone. After a long conversation with my other half, he told me that in his minds eye the costume would not be white at all and that the whole thing would be a yellowish, brownish cream again aged looking but still beautiful. I agreed that that was what I had wanted to do, but that WKD had advised against dying their corset as they couldn’t predict the results. I didn’t dare bugger it up, especially as I had gone to all the work and expense with the appliqués. But the more I thought about it, the more the thought wouldn’t go away. So I decided to take the plunge and risk it in the hope of getting closer to my original vision of what the costume should look like.
I dyed the corset, and also my bloomers and bra in a tea bath. Nothing scary happened during the dying process but I was like a broody bantam fussing and checking and turning the two halves of the corset as it dried. Reputable sources had told me that if you absolutely must dye a corset you should leave it to dry flat and try and get it dry as quickly as possible. Leaving it flat was a bit of an issue because of the goring in the hips – it just isn’t cut to sit in one flat piece, but I did my best. I put it near the radiator on a drying rack and hoped for the best.
In the end I was absolutely delighted with the results for the corset. It has come out a light brownish cream and does look as though it was something that used to be white but is very old. There is a little inconsistency in the colour in a couple of places but it kind of adds to the flawed, aged effect and I don’t regret taking the risk (NB another disclaimer! I am not suggesting anyone else follow my lead and dye their own corset – mine turned out great but I can’t guarantee whether other people’s would.).
The bloomers, being made of cotton, took the colour a little darker and have come out slightly more yellow in tone which gives a nice contrast to the corset but the bra – made from mainly synthetic stuff – didn’t take the colour as strongly. It came out more like a pale brownish peach. This wasn’t a big problem though as I only wanted it dyed as a base so there would be no bright white peeking through when I covered it. I have started covering the cups of the bra with vintage lace fabric bought from my local car boot sale and then trimmed it with a cream and brown lace edging. I still need to work on the side sections and add a little more trimming and then the bra will be done.
Here’s a snapshot of my bra-in-progress and my finished corset – apologies for the rubbish phone photo.
So the Jackalope costume is now coming on in leaps and bounds. There is still lots more work to do before I can put costuming to bed, the skirt alone is going to be a mammoth task, not to mention I still need to get myself my prop and finish music editing and choreography. It looks like I will not meet my self imposed deadline I had hoped for but I think the extra time I have spent on it will pay off in the end.
In other developments – I have been thinking more about my fetish idea (see the previous post) and have decided to produce a simple version of my idea and trial it at a few burlesque events. If people seem to respond to it I’ll keep it and upgrade the costume etc (I have some very exciting – very complex ideas) to bring it in line production-wise with my other acts. If people hate it or don’t get it I’ll retire it knowing I didn’t break my back (or the bank!). It will be good, after working on my Jackalope, to do something with a quicker turnaround time and with less of my heart and soul invested. Not that I plan to just slapdash this idea out, but it would be nice to produce an act that doesn’t involve too much over-thinking, and that can be done as a bit of fun. My other half (who among his many talents, paint beautiful abstract canvasses) talked to me at great length about letting the chips fall where they may, playing, experimenting and not being too precious and trying to control everything so I am going to try and take that approach with this new piece. And apparently the universe or what have you agrees because this Sunday at the car boot (my own personal treasure trove of amazing finds) I stumbled upon something (or should I say two matching somethings?) that were exactly what I needed for a part of this new act’s costume.
I now have a couple of busy weeks vanilla life-wise but hopefully I will still be able to make time to get some burlesquey stuff done. Also, ballet starts again tomorrow after the Easter break – I feel rusty just thinking about it!
‘Til next time
X
Emerald
Sunday, 28 March 2010
A Most Peculiar Booking
Dearests,
So after a fun week of photography and what not, yesterday I was booked to perform at a private party in Coventry. It turned out to be a most peculiar booking.
I was booked by the organiser of Dr Sketchy's in Coventry (who had seen me perform at the first Dr Sketchy's in Birmingham) to do a gig for a private birthday party using the Dr Sketchy's format of a performance and then about half an hour of poses for sketching.
I made the journey down and my other half came with me so I would have company on the drive. When we arrived (after taking an accidental detour through a winding, tree covered country path) I was a little unsure that we were at the right place as I saw a little girl in a party dress running into the venue - a nice village hall. However, we assured eachother that it was probably a venue with multiple function rooms and that the girl was from another party. When we got there it turned out that the child was not from another party and that the event was the birthday of the matriarch of a nice Russian family and that she was celebrating with her (grown up) children and also a host of (definately not grown up) grandchildren! Outside, my OH asked me 'Is this what your gigs are usually like?'!
At this point the promotor from Sketchy's had not yet arrived (I was very early for fear of getting lost) and my OH and I were a little concerned that perhaps the party goers did not know what sort of act they had booked and I discussed with the daughter of the birthday girl (who seemed to be in charge) that perhaps it would be better if I did not remove my bra in case little eyes (who in theory aught to be in another room with a bouncy castle - but you know kids!) saw more than they should.
When the promotor arrived and a CD player was located things started to go more smoothly, I felt a lot more calm and I got into costume. I was still a bit worried that my act was not going to be the sort of thing they were expecting but at least the promotor was there to take control of the running of things.
When I got on and did my act the audience were very quiet and applauded politely at the end and I was concerned that they had been confused by my act or thought it was innapropriate but when we got onto the drawing part lots of them gave it a go and they even let the kids (most of whom had been peeking in round the door - good job the bra stayed on!) join in. The atmosphere seemed to warm up and everyone relaxed a bit. For the last turn the lady whose birthday it was asked if she could pose instead and it was really nice to see everyone having so much fun (plus it meant I got to do a bit of drawing). At the end the daughter asked me if I had another performance I could do as people had been asking for me to go up again. I was suprised as I hadn't thought people liked my act that much but sadly I had to decline as I had only brought the music and costume for one act.
In the end what began looking like it was going to be a bit of a nightmare gig ended up being a lot of fun, although still the strangest gig I have done so far. The family dynamic reminded me a lot of my own as my family are Polish on my Dad's side and there seemed to be a lot of similarities and the whole thing was unusual but friendly.
Perhaps I should try and persuade my relatives to get a burlesque performer at our next family party!
'Til next time
x
Emerald
So after a fun week of photography and what not, yesterday I was booked to perform at a private party in Coventry. It turned out to be a most peculiar booking.
I was booked by the organiser of Dr Sketchy's in Coventry (who had seen me perform at the first Dr Sketchy's in Birmingham) to do a gig for a private birthday party using the Dr Sketchy's format of a performance and then about half an hour of poses for sketching.
I made the journey down and my other half came with me so I would have company on the drive. When we arrived (after taking an accidental detour through a winding, tree covered country path) I was a little unsure that we were at the right place as I saw a little girl in a party dress running into the venue - a nice village hall. However, we assured eachother that it was probably a venue with multiple function rooms and that the girl was from another party. When we got there it turned out that the child was not from another party and that the event was the birthday of the matriarch of a nice Russian family and that she was celebrating with her (grown up) children and also a host of (definately not grown up) grandchildren! Outside, my OH asked me 'Is this what your gigs are usually like?'!
At this point the promotor from Sketchy's had not yet arrived (I was very early for fear of getting lost) and my OH and I were a little concerned that perhaps the party goers did not know what sort of act they had booked and I discussed with the daughter of the birthday girl (who seemed to be in charge) that perhaps it would be better if I did not remove my bra in case little eyes (who in theory aught to be in another room with a bouncy castle - but you know kids!) saw more than they should.
When the promotor arrived and a CD player was located things started to go more smoothly, I felt a lot more calm and I got into costume. I was still a bit worried that my act was not going to be the sort of thing they were expecting but at least the promotor was there to take control of the running of things.
When I got on and did my act the audience were very quiet and applauded politely at the end and I was concerned that they had been confused by my act or thought it was innapropriate but when we got onto the drawing part lots of them gave it a go and they even let the kids (most of whom had been peeking in round the door - good job the bra stayed on!) join in. The atmosphere seemed to warm up and everyone relaxed a bit. For the last turn the lady whose birthday it was asked if she could pose instead and it was really nice to see everyone having so much fun (plus it meant I got to do a bit of drawing). At the end the daughter asked me if I had another performance I could do as people had been asking for me to go up again. I was suprised as I hadn't thought people liked my act that much but sadly I had to decline as I had only brought the music and costume for one act.
In the end what began looking like it was going to be a bit of a nightmare gig ended up being a lot of fun, although still the strangest gig I have done so far. The family dynamic reminded me a lot of my own as my family are Polish on my Dad's side and there seemed to be a lot of similarities and the whole thing was unusual but friendly.
Perhaps I should try and persuade my relatives to get a burlesque performer at our next family party!
'Til next time
x
Emerald
Friday, 26 March 2010
'The Trouble With Tribbles' photoshoot with Cherryfox Fine Photography
After finishing the styling work on my Jackalope wig last week my friend, fellow burlesquer and photographer Cherryfox suggested we do a shoot before I attached the antlers, ears and other Jackalope-ish paraphernalia to it so that it could be used for a different look.
On Wendesday I had a day off to use up and my previously made plans didn’t happen so we ended up having a fun impromptu shoot at her home studio in Stoke-on-Trent. Cherryfox has been working on making some gorgeous hair accessories – lovely feathered birdies and rhinestone embellished butterflies, big and gaudy just the way I like them! So we went for a bright, drag queeny look with as many of these adorable little creatures as possible nestling amongst my gargantuan tresses.
Here’s a little teaser from the shoot - you can see the rest at: Cherryfox's Facebook
I could seriously get used to having that much hair – if only it was real! Hopefully, the next time you will see this wig it will be part of a finished Jackalope costume. I still have lots to do but it is coming along gradually.
Huge thanks and hugs to Cherryfox for the amazing pics and the loan of her lovely bird and butterfly creations, and a tip of the hat to my car Boris for getting me to and from Stoke in on piece despite my fairly punishing driving technique.
As Amanda Lepore says – ‘I don’t know much about clothes but my hair looks fierce’
‘Til next time
X
Emerald
On Wendesday I had a day off to use up and my previously made plans didn’t happen so we ended up having a fun impromptu shoot at her home studio in Stoke-on-Trent. Cherryfox has been working on making some gorgeous hair accessories – lovely feathered birdies and rhinestone embellished butterflies, big and gaudy just the way I like them! So we went for a bright, drag queeny look with as many of these adorable little creatures as possible nestling amongst my gargantuan tresses.
Here’s a little teaser from the shoot - you can see the rest at: Cherryfox's Facebook
I could seriously get used to having that much hair – if only it was real! Hopefully, the next time you will see this wig it will be part of a finished Jackalope costume. I still have lots to do but it is coming along gradually.
Huge thanks and hugs to Cherryfox for the amazing pics and the loan of her lovely bird and butterfly creations, and a tip of the hat to my car Boris for getting me to and from Stoke in on piece despite my fairly punishing driving technique.
As Amanda Lepore says – ‘I don’t know much about clothes but my hair looks fierce’
‘Til next time
X
Emerald
Tuesday, 16 March 2010
The Gig and The Wig
Dearests,
This week has been taken up with a lot of boring vanilla-life day job tedium, but inbetween the drudge have been two rather pleasant interludes.
First and foremost I performed at Hull's Ringside Review on Saturday night. This was a challenge for me in more ways than I expected! The first big hurdle was getting there - it was my first time driving to a whole other city and my first proper motorway drive (had to go on a tiny bit of motorway when I picked up my car but my Dad supervised me). It was an exhilerating experience (if a little terrifying at times) but I made it there in one piece without incident and even managed to drive back the same night (on empty roads as it was after midnight - bliss!). I made a couple of peppy 80s CDs to keep me alert, energetic and on the ball and it really felt like a bit of an adventure! Definately a hundred times less stressful than taking the coach or train - especially with my huge suitcase!
The second, more unexpected challenge was of a more theatrical nature. I arrived with my music on CD and a spare copy just incase but for some reason the venue's CD player would not accept either of the CDs I had for my Strongwoman act. My Octopus CD played just fine but the others: No way Jose! Anna (Fox - promotor of the night) tried to help me source another copy of my track but it's a fairly unusual one - it's an instrumental recording of "Don't Dilly Dally on the Way" so it was nothing doing. Cut to me sitting in my car rifling through my CD collection looking for something of a similar mood to perform to!
I eventually came up with a nice Charleston with lots of brass. Not a million miles away from my original choice in mood. Unfortunately, by this point the audience were already in and seated so there was no time to try a run through. All I could do was wing it! In the car when I sat and listened I realised that the new track was a little longer than my original choice so I made a mental note to draw the act out a little and also asked Anna to fade the track out if I finished noticeably early. However, when it was time to perform, finishing too early was not a problem. I spent so long hamming it up to fill the extra music that I ended up with the music ending just before I was about to do the final reveal - missing the punchline of the act! Luckily the audience and my fellow performers didn't seem to notice or if they did they didn't mind as the reception I got for it was still very positive. Oddly enough though it did make me consider changing tracks permanently as I really enjoyed doing it to my substitute music!
Me Hamming it up as my Strongwoman (for a little too long!) - photo by Kate Rush
Apart from my minor mishap in the first half, the second half went smoothly and I adored meeting the other performers. Billie Rae was graceful and elegant, Pinny Lace was adorable and natural (and I could not believe how good she was for someone so very new!) and Milan was hilarious and had the most amazing comic timing. All the performers were really friendly and the atmosphere backstage was lovely. Anna herself (along with her maid for the night, Kelly and the compere Neil)ran a really professional night and Anna is one of the most warm and huggable people I have met on the circuit. I am dying to work with the other performers and Anna again - they were all so fun, friendly and talented! Also, on a little aside, Pinny Lace went up for the Delicious Burlesque newcomers competition (heat one was Saturday and the final will be at the show in June) and I know I will be rooting for her from the audience!
The other exciting development has been finally seeing the fruits of my wiggy labours. I received my wigs two weeks ago and since then I have been beavering away with my tailcomb and a can of Tresseme hoping to realise my wig-dreams.
Me in my Jackalope wig - apologies for the lack of makeup and crappy phone photo!
I have not done much in the way of wig styling before – I made an updo hairpiece out of a pony tail one that had got a bit ratty and I put a simple roll into my Octopus wig but I had not attempted to do anything more complicated than that before. However, I have been researching wig styling for months and months – swotting up on tips and technique until I could get my hands on a wig to try it out on.
The style I chose for my Jackalope wig is quite a simple one (especially compared to some of the elaborate, structural styles I have seen people working on on the Cosplay forum) great for a beginner. As it is backcombed and boofy there is less need for precision and accuracy – the messiness of it is pretty forgiving. As a first attempt at proper wig styling I am pretty pleased with it!
If I had to make an estimate I would say I probably spent more than 10 hours backcombing this wig, but what a result! It’s absolutely huge! I had (originally, almost a year ago) wanted to buy a drag queen wig from somewhere like Empress Bianca or Vegas Girl Wigs but I was put off by how expensive they were. Now, having styled my own I can see why the drag wigs cost what they do; it takes a lot of styling time to get a boof that big!
I still have a little to do to the wig, I need to sew in my antlers and rabbit ears (once they are finished) and I want to dress the wig a little more with pine cones, teasels, bulrushes or other similar plant matter. But I will post up another pic when it is done.
At some point I thought about doing a step by step photo blog of how I styled the wig (wig styling resources are few and far between and I thought people might be interested in the process I used to do mine) but as I took the photos on my phone it’s a pain in the bum to upload them so it might have to wait until I have a quiet afternoon with a bit of free time to do it.
Next on the Jackalope list is to carry on felting for my skirt (this is probably going to be the most time consuming part of the costuming process) and to start work customising my bra. Hopefully I will have more to show in a couple of weeks!
‘Til next time
x
Emerald
This week has been taken up with a lot of boring vanilla-life day job tedium, but inbetween the drudge have been two rather pleasant interludes.
First and foremost I performed at Hull's Ringside Review on Saturday night. This was a challenge for me in more ways than I expected! The first big hurdle was getting there - it was my first time driving to a whole other city and my first proper motorway drive (had to go on a tiny bit of motorway when I picked up my car but my Dad supervised me). It was an exhilerating experience (if a little terrifying at times) but I made it there in one piece without incident and even managed to drive back the same night (on empty roads as it was after midnight - bliss!). I made a couple of peppy 80s CDs to keep me alert, energetic and on the ball and it really felt like a bit of an adventure! Definately a hundred times less stressful than taking the coach or train - especially with my huge suitcase!
The second, more unexpected challenge was of a more theatrical nature. I arrived with my music on CD and a spare copy just incase but for some reason the venue's CD player would not accept either of the CDs I had for my Strongwoman act. My Octopus CD played just fine but the others: No way Jose! Anna (Fox - promotor of the night) tried to help me source another copy of my track but it's a fairly unusual one - it's an instrumental recording of "Don't Dilly Dally on the Way" so it was nothing doing. Cut to me sitting in my car rifling through my CD collection looking for something of a similar mood to perform to!
I eventually came up with a nice Charleston with lots of brass. Not a million miles away from my original choice in mood. Unfortunately, by this point the audience were already in and seated so there was no time to try a run through. All I could do was wing it! In the car when I sat and listened I realised that the new track was a little longer than my original choice so I made a mental note to draw the act out a little and also asked Anna to fade the track out if I finished noticeably early. However, when it was time to perform, finishing too early was not a problem. I spent so long hamming it up to fill the extra music that I ended up with the music ending just before I was about to do the final reveal - missing the punchline of the act! Luckily the audience and my fellow performers didn't seem to notice or if they did they didn't mind as the reception I got for it was still very positive. Oddly enough though it did make me consider changing tracks permanently as I really enjoyed doing it to my substitute music!
Me Hamming it up as my Strongwoman (for a little too long!) - photo by Kate Rush
Apart from my minor mishap in the first half, the second half went smoothly and I adored meeting the other performers. Billie Rae was graceful and elegant, Pinny Lace was adorable and natural (and I could not believe how good she was for someone so very new!) and Milan was hilarious and had the most amazing comic timing. All the performers were really friendly and the atmosphere backstage was lovely. Anna herself (along with her maid for the night, Kelly and the compere Neil)ran a really professional night and Anna is one of the most warm and huggable people I have met on the circuit. I am dying to work with the other performers and Anna again - they were all so fun, friendly and talented! Also, on a little aside, Pinny Lace went up for the Delicious Burlesque newcomers competition (heat one was Saturday and the final will be at the show in June) and I know I will be rooting for her from the audience!
The other exciting development has been finally seeing the fruits of my wiggy labours. I received my wigs two weeks ago and since then I have been beavering away with my tailcomb and a can of Tresseme hoping to realise my wig-dreams.
Me in my Jackalope wig - apologies for the lack of makeup and crappy phone photo!
I have not done much in the way of wig styling before – I made an updo hairpiece out of a pony tail one that had got a bit ratty and I put a simple roll into my Octopus wig but I had not attempted to do anything more complicated than that before. However, I have been researching wig styling for months and months – swotting up on tips and technique until I could get my hands on a wig to try it out on.
The style I chose for my Jackalope wig is quite a simple one (especially compared to some of the elaborate, structural styles I have seen people working on on the Cosplay forum) great for a beginner. As it is backcombed and boofy there is less need for precision and accuracy – the messiness of it is pretty forgiving. As a first attempt at proper wig styling I am pretty pleased with it!
If I had to make an estimate I would say I probably spent more than 10 hours backcombing this wig, but what a result! It’s absolutely huge! I had (originally, almost a year ago) wanted to buy a drag queen wig from somewhere like Empress Bianca or Vegas Girl Wigs but I was put off by how expensive they were. Now, having styled my own I can see why the drag wigs cost what they do; it takes a lot of styling time to get a boof that big!
I still have a little to do to the wig, I need to sew in my antlers and rabbit ears (once they are finished) and I want to dress the wig a little more with pine cones, teasels, bulrushes or other similar plant matter. But I will post up another pic when it is done.
At some point I thought about doing a step by step photo blog of how I styled the wig (wig styling resources are few and far between and I thought people might be interested in the process I used to do mine) but as I took the photos on my phone it’s a pain in the bum to upload them so it might have to wait until I have a quiet afternoon with a bit of free time to do it.
Next on the Jackalope list is to carry on felting for my skirt (this is probably going to be the most time consuming part of the costuming process) and to start work customising my bra. Hopefully I will have more to show in a couple of weeks!
‘Til next time
x
Emerald
Thursday, 11 March 2010
Forgiven by the Gods of Burlesque?
Dearests,
although (as usual) my vanilla life is plagued with annoyances and setbacks (I won't bore you with the details - it's not that kind of blog!), in regards to burly it seems as though the gods and godessess of the stage have (at least for the moment) forgiven me.
In all, burlesque wise, it hasn't been a bad few days. The big win was getting my money refunded for those wigs (see the previous posts for the whole story). I requested the refund, unsure what the outcome would be but in the end the seller refunded me and now the whole matter is resolved. It was a stressful and frustrating experience from start to finish but as the saying goes, 'All's well that ends well'. I would like to put that money towards an item I want for my Jackalope costume but in reality I may have to hold onto it to pay for something stressful in my vanilla life. I should know in about a week whether the money is needed for that or not. If not I can start steaming ahead with the next phase of the outfit.
At ballet last night it was a very small class (only about six of us) and this meant there was a lot more scope to go over things that were difficult. Also because three of the girls there were quite advanced dancers just taking the class to keep in practice it meant that the teacher made the lesson a little more complicated to keep them interested but she could help the less able students a little more too as there were less of us (me bringing up the rear as usual!). The class was great and I felt really stretched by the end of it. There are still one or two steps in the routine we are working on that I seem to get tangled up in, and I can't balance when performing an arabesque to save my life but I really feel like some of it is sinking in. At the end of the class the teacher even complimented me, saying she could see an improvement with my technique at the barre. I'm not sure if she was being kind and encouraging me because I am one of the weakest students in the class or if I really have improved but I do feel as though I know more what I am doing at the barre now and I get less fuddled. Either way, it felt nice to be praised and I feel like the classes are doing me some good one way or another.
On the wig styling front I am now about half way through the backcombing process. Every evening this week I have promised myself I would come home from my day job and work on it but work has been so busy that I have come home too tired to do much to it. I am hoping that I might get some done on Friday as I have the afternoon off work, but I will blog with photos (if I can figure out how to do it) just as soon as I have finished it. I still need to order some of the ornaments and trinkets that I want to dress the wig with but that will have to wait until I have some cash!
In other, more practical burlesque news, I am performing at the Ringside Review in Hull on Saturday, ran by Anna Fox and starring Billie Rae, Pinny Lace and Milan (and me!)
I am pretty excited about this gig as I have heard so many nice things about the Ringside Review. I am also excited and nervous as this will be my first proper motorway drive and I will be doing it solo! I am a bit scared about going on the motorway and about undertaking such a long drive but it will be worth it in the long run as negotiating busses, coaches and trains with my huge suitcase and box of props makes me flapped and furious! So wish me luck, and assuming I don't die in a twisted heap of metal by the side of the road I'll let you all know how it goes.
'Til next time
x
Emerald
although (as usual) my vanilla life is plagued with annoyances and setbacks (I won't bore you with the details - it's not that kind of blog!), in regards to burly it seems as though the gods and godessess of the stage have (at least for the moment) forgiven me.
In all, burlesque wise, it hasn't been a bad few days. The big win was getting my money refunded for those wigs (see the previous posts for the whole story). I requested the refund, unsure what the outcome would be but in the end the seller refunded me and now the whole matter is resolved. It was a stressful and frustrating experience from start to finish but as the saying goes, 'All's well that ends well'. I would like to put that money towards an item I want for my Jackalope costume but in reality I may have to hold onto it to pay for something stressful in my vanilla life. I should know in about a week whether the money is needed for that or not. If not I can start steaming ahead with the next phase of the outfit.
At ballet last night it was a very small class (only about six of us) and this meant there was a lot more scope to go over things that were difficult. Also because three of the girls there were quite advanced dancers just taking the class to keep in practice it meant that the teacher made the lesson a little more complicated to keep them interested but she could help the less able students a little more too as there were less of us (me bringing up the rear as usual!). The class was great and I felt really stretched by the end of it. There are still one or two steps in the routine we are working on that I seem to get tangled up in, and I can't balance when performing an arabesque to save my life but I really feel like some of it is sinking in. At the end of the class the teacher even complimented me, saying she could see an improvement with my technique at the barre. I'm not sure if she was being kind and encouraging me because I am one of the weakest students in the class or if I really have improved but I do feel as though I know more what I am doing at the barre now and I get less fuddled. Either way, it felt nice to be praised and I feel like the classes are doing me some good one way or another.
On the wig styling front I am now about half way through the backcombing process. Every evening this week I have promised myself I would come home from my day job and work on it but work has been so busy that I have come home too tired to do much to it. I am hoping that I might get some done on Friday as I have the afternoon off work, but I will blog with photos (if I can figure out how to do it) just as soon as I have finished it. I still need to order some of the ornaments and trinkets that I want to dress the wig with but that will have to wait until I have some cash!
In other, more practical burlesque news, I am performing at the Ringside Review in Hull on Saturday, ran by Anna Fox and starring Billie Rae, Pinny Lace and Milan (and me!)
I am pretty excited about this gig as I have heard so many nice things about the Ringside Review. I am also excited and nervous as this will be my first proper motorway drive and I will be doing it solo! I am a bit scared about going on the motorway and about undertaking such a long drive but it will be worth it in the long run as negotiating busses, coaches and trains with my huge suitcase and box of props makes me flapped and furious! So wish me luck, and assuming I don't die in a twisted heap of metal by the side of the road I'll let you all know how it goes.
'Til next time
x
Emerald
Friday, 5 March 2010
Up to my Ears in Wigs
Dearests,
This is not a real blog post; more just a mini exclamation! It seems I am living any burlesquer’s dream now as I am soon to be up to my ears in wigs! After ordering two lovely replacement wigs last week from Annabelle’s Wigs the person from whom I ordered my original wigs (two months ago tomorrow) has finally contacted me telling me she has ordered my wigs and expects to receive them shortly(!), conveniently ignoring the fact that my email clearly states that I have given up on her service and want a refund instead (something which she says one is entitled to right up until they are shipped from her).
I am going to send her a message explaining that after two months of non-contact I gave up and bought the wigs elsewhere and hopefully get my money back. Keep your fingers crossed for me – otherwise I will have four long blonde wavy wigs when I only needed one and a spare!
‘Til next time,
X
Emerald
This is not a real blog post; more just a mini exclamation! It seems I am living any burlesquer’s dream now as I am soon to be up to my ears in wigs! After ordering two lovely replacement wigs last week from Annabelle’s Wigs the person from whom I ordered my original wigs (two months ago tomorrow) has finally contacted me telling me she has ordered my wigs and expects to receive them shortly(!), conveniently ignoring the fact that my email clearly states that I have given up on her service and want a refund instead (something which she says one is entitled to right up until they are shipped from her).
I am going to send her a message explaining that after two months of non-contact I gave up and bought the wigs elsewhere and hopefully get my money back. Keep your fingers crossed for me – otherwise I will have four long blonde wavy wigs when I only needed one and a spare!
‘Til next time,
X
Emerald
Thursday, 4 March 2010
Dancing Again...
Dearests,
Two blogs in as many days! Either I have a lot to say for myself or I am using my blog to escape from the banal reality that is my working day! Either way though, here I am!
Last night was ballet. I haven't been for two weeks as last week I had a gig (four acts in one evening!) at the Test Match in West Bridgeford; a private party for the managers of the pub chain, and the week before it was half term. My leg is still a bit painful, although this week it has not been quite as bad and although I have been practicing eleves, releves, and ronde de jambes like there is no tomorrow I felt a little rusty about the finer points of the class.
I was feeling rather tired that evening and I almost cried off in favour of a lazy evening of junk food and films but luckily for me I found the energy to get off my behind and into my dancing shoes. On arrival it turned out that the teacher who had been running the class was now on maternity leave (she had been pretty pregnant when I first started and now, I believe, only has about 9 weeks to go) and another girl who had been assisting her in the class would be teaching. The new teacher is young and pretty and very friendly and approachable and, as much as I liked our original teacher, I was pleased to have a go with her substitute.
The structure of the class was a little different than it has been so far. Instead of doing 20 minutes or so of barre work, 20 minutes of dance and a five minute warm down we did a shorter barre session (about 10 mins or so) and then spent the rest of the class working on a beautiful dance in the centre. I approached the idea of less barre and more centre work with some good humoured trepidation - while the barre work is tricky but within my reach, so far the more complicated steps of choreographed dance confuse me. I don't pick these things up easily and I find that once I fumble on one movement that has a knock on effect on the steps that follow.
So I was not expecting what happened next. I don't know if I was having a good day, if it was that I was stood in a good position to see everything or if it was something to do with the new teacher's style of dance or of explaining the movements but I felt like I picked up the movements with a lot less fuss than usual, and I retained them better than I usually do. The teacher broke the dance down into very small parts and once we had tried each part she added on the next, pausing to make sure everyone was still keeping up. I really enjoyed the dance and I felt that because I was able to pick up the movements at the same sort of rate as the rest of the class (all bar one step that was a little too complicated for me involving going up into a pirouette position twice in quick succession)I could even add some expression and emotion to the dance and really try to perform it rather than just stumbling through the motions as I have been doing so far.
Overall I feel really positive about the new format for the class although next week we are trying a faster dance so ask me in a week if I am still feeling so capable! Also, I feel like something from the classes may be starting to pay off in my burlesque work. When I have been improvising and blocking out movement for my Jackalope and another upcoming act I have in mind I have found myself using some of the body shapes and positions I have learned in class and hopefully this will make the dance elements of these acts a little more graceful and their movements more definite. I want so dearly for my Jackalope and the other acts that follow it to be of a noticably higher standard than the things I have produced before but I know I still have a long way to go before they will be anywhere near the sort of standard I would like them to be. I suppose all I can do is try!
'Til next time
x
Emerald
Two blogs in as many days! Either I have a lot to say for myself or I am using my blog to escape from the banal reality that is my working day! Either way though, here I am!
Last night was ballet. I haven't been for two weeks as last week I had a gig (four acts in one evening!) at the Test Match in West Bridgeford; a private party for the managers of the pub chain, and the week before it was half term. My leg is still a bit painful, although this week it has not been quite as bad and although I have been practicing eleves, releves, and ronde de jambes like there is no tomorrow I felt a little rusty about the finer points of the class.
I was feeling rather tired that evening and I almost cried off in favour of a lazy evening of junk food and films but luckily for me I found the energy to get off my behind and into my dancing shoes. On arrival it turned out that the teacher who had been running the class was now on maternity leave (she had been pretty pregnant when I first started and now, I believe, only has about 9 weeks to go) and another girl who had been assisting her in the class would be teaching. The new teacher is young and pretty and very friendly and approachable and, as much as I liked our original teacher, I was pleased to have a go with her substitute.
The structure of the class was a little different than it has been so far. Instead of doing 20 minutes or so of barre work, 20 minutes of dance and a five minute warm down we did a shorter barre session (about 10 mins or so) and then spent the rest of the class working on a beautiful dance in the centre. I approached the idea of less barre and more centre work with some good humoured trepidation - while the barre work is tricky but within my reach, so far the more complicated steps of choreographed dance confuse me. I don't pick these things up easily and I find that once I fumble on one movement that has a knock on effect on the steps that follow.
So I was not expecting what happened next. I don't know if I was having a good day, if it was that I was stood in a good position to see everything or if it was something to do with the new teacher's style of dance or of explaining the movements but I felt like I picked up the movements with a lot less fuss than usual, and I retained them better than I usually do. The teacher broke the dance down into very small parts and once we had tried each part she added on the next, pausing to make sure everyone was still keeping up. I really enjoyed the dance and I felt that because I was able to pick up the movements at the same sort of rate as the rest of the class (all bar one step that was a little too complicated for me involving going up into a pirouette position twice in quick succession)I could even add some expression and emotion to the dance and really try to perform it rather than just stumbling through the motions as I have been doing so far.
Overall I feel really positive about the new format for the class although next week we are trying a faster dance so ask me in a week if I am still feeling so capable! Also, I feel like something from the classes may be starting to pay off in my burlesque work. When I have been improvising and blocking out movement for my Jackalope and another upcoming act I have in mind I have found myself using some of the body shapes and positions I have learned in class and hopefully this will make the dance elements of these acts a little more graceful and their movements more definite. I want so dearly for my Jackalope and the other acts that follow it to be of a noticably higher standard than the things I have produced before but I know I still have a long way to go before they will be anywhere near the sort of standard I would like them to be. I suppose all I can do is try!
'Til next time
x
Emerald
Wednesday, 3 March 2010
Getting Back on the Horse (or should that be Jackalope?)
Dearests,
After a very prickly period working on my Jackalope act (see the previous post to see how prickly!) I have dusted myself off and got back on the horse and things seem to be progressing forward, finally.
The big problems I had with this act were the antlers and the wig(s). In the antler situation I did not have the heart in the end to request a refund from the chap who made them – he obviously tried his best. So I went to my sister’s and had a chat with her other half who has a degree in product design. I told him about the prop maker’s idea of moulding some sort of cap to go under the wig which the antlers could be bolted onto. He immediately started Googling and came up with this:
http://www.maplin.co.uk/searchtemplate.asp?criteria=POLYMORPH%20PLASTIC
It’s called Polymorph and if I remember my secondary school DT classes then it’s a low temperature thermoplastic plastic. Meaning it can be moulded when you heat it up in hot water.
The original plan was to make the cap out of this and mould it around my head (!). However, my sister came up with an even smarter idea – to mould a new pair of antlers out of the Polymorph. She kindly went away and knocked me up a small prototype and I was pleasantly surprised. The Polymorph is strong and durable with a tiny bit of flexibility so it isn’t brittle (although it moulds to itself very easily so if an antler did break it would only need heating up a little to repair). It is also unfeasibly light. Sis brought the antler over wrapped in bubble wrap and when she handed it to me I thought she had had a brainstorm and forgot to put the antler inside the wrap! That’s how light it was.
So Sis is now beavering away with her ‘House of Emerald’ project to produce me antlers version 2 (in reality it’s actually version 5, I think, if you count the attempts I made myself with wire and papier mache etc some months ago) and I am optimistic about the results. Keep your fingers crossed for me!
On the wig front there have been mixed results. The woman who I paid to send me the wigs has still not responded to my emails or sent out the wigs so I requested a refund. As I am sure you are not surprised to hear, I have not received that refund and the wigs still have not been sent. At the end of my tether with the whole thing, I decided to open a dispute with Paypal to reclaim my money. Paypal said that because more that 45 days had passed they wouldn’t help me – I was on my own. This was frustrating. For an international service when the seller is a third party middle man between you and another company 45 days is not always going to be long enough to know there is a problem. So I contacted Barclays to ask them to do a Visa Chargeback. They were quite happy to help me until they found out I had paid via Paypal, at which point they said it was not their problem and that Paypal should help me (ha!) but not until they had passed me around and kept me on hold for 25 minutes. I spoke to Trading Standards who said that it was out of their jurisdiction as the site is US based and finally I contacted the Better Business Bureau which is, apparently, the American equivalent of Trading Standards. They are now chasing her up but they may have no luck as one of the posters on the forum who recommended the wig lady told me that since having the baby she has moved and not given a forwarding business address!
So I am a bit stuck with these wigs – people on the forum keep assuring me that she will get round to sending the wigs/refunding me eventually but either way I would never use this seller again. Slow delivery I can just about deal with but neglecting to respond to any correspondence just shows an absolute lack of regard for the customer and makes me fuming!
On a more positive note though, this whole debacle meant I ended up getting the wigs elsewhere and I have been delighted with the product and the service. Even though I had found a couple of US based sites that sold the same wig and would ship to the UK, I decided not to go with them as time has been ticking on while this woman has fannied around. I thought a UK site might speed up the process so I went with www.annabelleswigs.co.uk . I was aware of Annabelle’s from Ministry of Burlesque forum as Claire who runs the site is a poster on MoB so I thought I would give them a try. If nothing else I knew she would be contactable if anything went wrong! I ended up calling the shop as I had a few questions before I bought and I ended up having a lovely chat with Claire and bought two wigs and some weft extensions (the idea being I could use the wefts if I needed to bulk out the wig and I also had a spare that I could use if the original went wrong!). I had them sent to my day job address and, after ordering on Friday, when I came in yesterday they had arrived (I think they came on Monday while I was off).
The wigs are gorgeous quality, they feel so silky and full – I may not even need the extra wefts (though it’s good to have them just in case). So last night I cracked on with styling one for my Jackalope. I have a source photograph of what I want it to look like and a few basic tips I have picked up from trawling Google and Cosplay.com but apart from that I’m on my own. I have wanted to have a go at wig styling for so long now but when I sat with my wig pinned to the stand and my tail comb in hand I have to admit I felt a certain amount of trepidation. It is possible I could be in the process of ruining a perfectly good wig here! On the other hand; nothing ventured, nothing gained, and since I don’t have the opportunity to go on a wig styling course self-taught will have to be the order of the day. The style I have picked for the wig is not something that involves a great deal of advanced technique and as it is a messy style there is plenty of room for mistakes – pinpoint accuracy is not paramount. However, I have been taking it slowly, working on the wig patiently and in very small sections. So far it is taking shape in roughly the way I want it to but I know that the parts at the front on the brow and the sides will be the hardest bit and also the most visible (I started at the bottom-back so that any mistakes I made whilst finding my stroke would be hidden under the rest of the wig!).
So wish me luck with the wig styling! I am taking pictures as I go and I will post them all into the blog with some step by step notes once the piece is finished. I found wig styling tutorials and advice a little thin on the ground so I want to share my experiences and let people know what worked for me and what didn’t. Also, if anyone has any wig styling advice they would like to share with me I will be all ears!
‘Til next time
X
Emerald
After a very prickly period working on my Jackalope act (see the previous post to see how prickly!) I have dusted myself off and got back on the horse and things seem to be progressing forward, finally.
The big problems I had with this act were the antlers and the wig(s). In the antler situation I did not have the heart in the end to request a refund from the chap who made them – he obviously tried his best. So I went to my sister’s and had a chat with her other half who has a degree in product design. I told him about the prop maker’s idea of moulding some sort of cap to go under the wig which the antlers could be bolted onto. He immediately started Googling and came up with this:
http://www.maplin.co.uk/searchtemplate.asp?criteria=POLYMORPH%20PLASTIC
It’s called Polymorph and if I remember my secondary school DT classes then it’s a low temperature thermoplastic plastic. Meaning it can be moulded when you heat it up in hot water.
The original plan was to make the cap out of this and mould it around my head (!). However, my sister came up with an even smarter idea – to mould a new pair of antlers out of the Polymorph. She kindly went away and knocked me up a small prototype and I was pleasantly surprised. The Polymorph is strong and durable with a tiny bit of flexibility so it isn’t brittle (although it moulds to itself very easily so if an antler did break it would only need heating up a little to repair). It is also unfeasibly light. Sis brought the antler over wrapped in bubble wrap and when she handed it to me I thought she had had a brainstorm and forgot to put the antler inside the wrap! That’s how light it was.
So Sis is now beavering away with her ‘House of Emerald’ project to produce me antlers version 2 (in reality it’s actually version 5, I think, if you count the attempts I made myself with wire and papier mache etc some months ago) and I am optimistic about the results. Keep your fingers crossed for me!
On the wig front there have been mixed results. The woman who I paid to send me the wigs has still not responded to my emails or sent out the wigs so I requested a refund. As I am sure you are not surprised to hear, I have not received that refund and the wigs still have not been sent. At the end of my tether with the whole thing, I decided to open a dispute with Paypal to reclaim my money. Paypal said that because more that 45 days had passed they wouldn’t help me – I was on my own. This was frustrating. For an international service when the seller is a third party middle man between you and another company 45 days is not always going to be long enough to know there is a problem. So I contacted Barclays to ask them to do a Visa Chargeback. They were quite happy to help me until they found out I had paid via Paypal, at which point they said it was not their problem and that Paypal should help me (ha!) but not until they had passed me around and kept me on hold for 25 minutes. I spoke to Trading Standards who said that it was out of their jurisdiction as the site is US based and finally I contacted the Better Business Bureau which is, apparently, the American equivalent of Trading Standards. They are now chasing her up but they may have no luck as one of the posters on the forum who recommended the wig lady told me that since having the baby she has moved and not given a forwarding business address!
So I am a bit stuck with these wigs – people on the forum keep assuring me that she will get round to sending the wigs/refunding me eventually but either way I would never use this seller again. Slow delivery I can just about deal with but neglecting to respond to any correspondence just shows an absolute lack of regard for the customer and makes me fuming!
On a more positive note though, this whole debacle meant I ended up getting the wigs elsewhere and I have been delighted with the product and the service. Even though I had found a couple of US based sites that sold the same wig and would ship to the UK, I decided not to go with them as time has been ticking on while this woman has fannied around. I thought a UK site might speed up the process so I went with www.annabelleswigs.co.uk . I was aware of Annabelle’s from Ministry of Burlesque forum as Claire who runs the site is a poster on MoB so I thought I would give them a try. If nothing else I knew she would be contactable if anything went wrong! I ended up calling the shop as I had a few questions before I bought and I ended up having a lovely chat with Claire and bought two wigs and some weft extensions (the idea being I could use the wefts if I needed to bulk out the wig and I also had a spare that I could use if the original went wrong!). I had them sent to my day job address and, after ordering on Friday, when I came in yesterday they had arrived (I think they came on Monday while I was off).
The wigs are gorgeous quality, they feel so silky and full – I may not even need the extra wefts (though it’s good to have them just in case). So last night I cracked on with styling one for my Jackalope. I have a source photograph of what I want it to look like and a few basic tips I have picked up from trawling Google and Cosplay.com but apart from that I’m on my own. I have wanted to have a go at wig styling for so long now but when I sat with my wig pinned to the stand and my tail comb in hand I have to admit I felt a certain amount of trepidation. It is possible I could be in the process of ruining a perfectly good wig here! On the other hand; nothing ventured, nothing gained, and since I don’t have the opportunity to go on a wig styling course self-taught will have to be the order of the day. The style I have picked for the wig is not something that involves a great deal of advanced technique and as it is a messy style there is plenty of room for mistakes – pinpoint accuracy is not paramount. However, I have been taking it slowly, working on the wig patiently and in very small sections. So far it is taking shape in roughly the way I want it to but I know that the parts at the front on the brow and the sides will be the hardest bit and also the most visible (I started at the bottom-back so that any mistakes I made whilst finding my stroke would be hidden under the rest of the wig!).
So wish me luck with the wig styling! I am taking pictures as I go and I will post them all into the blog with some step by step notes once the piece is finished. I found wig styling tutorials and advice a little thin on the ground so I want to share my experiences and let people know what worked for me and what didn’t. Also, if anyone has any wig styling advice they would like to share with me I will be all ears!
‘Til next time
X
Emerald
Monday, 1 February 2010
A pain in the leg
Dearests,
After a fairly shaky start to my endeavours at ballet I decided to put in a little practice at home (using the book I mentioned in my last missive). Boy, did that backfire! Cut to Emerald walking like the Hunchback of Notre Damme, walking around dragging one overly turned out foot because it hurt too much to turn it back in! I was fairly sure that I had been turning out wrong as the part of the leg that hurt was the front of my calf, just by the bone.
By Wednesday (the day of the class) my leg was still very painful and I was considering staying home and licking my wounds. Luckily I plucked up the courage to go to class, planning to sit out anything that hurt too much and it paid off! The stretching at the barre seemed to ease things off a little and by the end of the class my leg felt better than it did before. Not great but definitely better. I also had a quiet word with one of my more experienced classmates. She explained that I had been over ambitious with my turnout. I had started turning correctly from the hips but had then tried to force myself to turn out further from the ankle which had aggrivated the muscle in the front of my calf. Clearly I am just too keen!
The class itself however, sore leg and all, felt so much better than last week. I felt more relaxed at the barre - less focused of my own embarrassment and more in tune with the movements and my body. The floor work, which I had been dreading, felt a hundred times better that night than it had the week before. While I did not float and glide across the floor like some of the more experienced dancers seem to do I felt like I managed to keep up with what I was supposed to be doing and if I made a mistake (which I did. Repeatedly) it was more to do with using the wrong foot or just falling out of step rather than because I hadn't a clue what I was supposed to be doing.
I left the lesson beaming with confidence and exhiliration. I could have happily stayed and danced for another hour. I felt too excited to go to bed when I got home! Of course, a lot of this probably has to do with the endorphins of exercise and so on but it still felt good! I felt as though, perhaps I CAN do this after all. Obviously, I am still one of the weakest (if not THE weakest) in the class and the improvement I noticed in the lesson is more likely a fluke or the result of feeling a little less nervous but if I can do something better once (even if only by fluke), I can do it again.
I am excited for the next class and determined to do better!
'Til the next one,
Emerald
x
After a fairly shaky start to my endeavours at ballet I decided to put in a little practice at home (using the book I mentioned in my last missive). Boy, did that backfire! Cut to Emerald walking like the Hunchback of Notre Damme, walking around dragging one overly turned out foot because it hurt too much to turn it back in! I was fairly sure that I had been turning out wrong as the part of the leg that hurt was the front of my calf, just by the bone.
By Wednesday (the day of the class) my leg was still very painful and I was considering staying home and licking my wounds. Luckily I plucked up the courage to go to class, planning to sit out anything that hurt too much and it paid off! The stretching at the barre seemed to ease things off a little and by the end of the class my leg felt better than it did before. Not great but definitely better. I also had a quiet word with one of my more experienced classmates. She explained that I had been over ambitious with my turnout. I had started turning correctly from the hips but had then tried to force myself to turn out further from the ankle which had aggrivated the muscle in the front of my calf. Clearly I am just too keen!
The class itself however, sore leg and all, felt so much better than last week. I felt more relaxed at the barre - less focused of my own embarrassment and more in tune with the movements and my body. The floor work, which I had been dreading, felt a hundred times better that night than it had the week before. While I did not float and glide across the floor like some of the more experienced dancers seem to do I felt like I managed to keep up with what I was supposed to be doing and if I made a mistake (which I did. Repeatedly) it was more to do with using the wrong foot or just falling out of step rather than because I hadn't a clue what I was supposed to be doing.
I left the lesson beaming with confidence and exhiliration. I could have happily stayed and danced for another hour. I felt too excited to go to bed when I got home! Of course, a lot of this probably has to do with the endorphins of exercise and so on but it still felt good! I felt as though, perhaps I CAN do this after all. Obviously, I am still one of the weakest (if not THE weakest) in the class and the improvement I noticed in the lesson is more likely a fluke or the result of feeling a little less nervous but if I can do something better once (even if only by fluke), I can do it again.
I am excited for the next class and determined to do better!
'Til the next one,
Emerald
x
Sunday, 24 January 2010
Reading and research... and trying not to look dodgy in the process.
Dear Heart,
As well as my less than graceful first foray into ballet lessons I decided a book might help me. As my day job is in a library, I was already in the right place! Scouring the shelves for something that would help me with my practice at home, I found 'The Ballet Book - A Young Dancer's Guide' by Andrew Ptak.
Now, I am clearly not a 'young' dancer (especially by ballet's standards) but it was the only one with pictures of the different positions and techniques so I snapped it up. It did however, make me feel a little odd looking at it in public places. This highly visual tome was published in 1984, long before we, as a country, were all hysterical that even our own grandmother could be a paedophile waiting to lure sweet faced little tykes off to 'look at some puppies'. I have to say, it felt very strange to be openly looking at photo after photo of a little girl in a leotard demonstrating her flexibility. Still, it can't be as strange as some of the instructions I saw online where the model was a male dancer (perhaps in his twenties) with a tight leotard and a huge, shall we say, 'talent'.
Whether renting this book and risking my colleagues thinking I am interested in funny business with children will pay off and improve my dancing is yet to be seen but at least it means I can study the positions in my own time instead of desperately scrabbling to pick them up at class. Knowledge is power. Hopefully.
Earlier in the week I also had the pleasure of expanding my mind vis a vis burlesque by reading an enthralling MA thesis:
"The Fantasy of Real Women"
New Burlesque & The Female Spectator
by Emily Lane Fargo.
This article came to my attention through the MoB forum and a link posted by talented burlesque performer and all-round clever clogs Glorian Gray (to download a PDF of the thesis - and you should! - go here:
http://www.ministryofburlesque.com/burlesque-chat/10948-bit-burlesque-reading.html )
I was so enthralled by this paper that I flew throught the nigh-on one hundred pages in no time. It discusses burlesque in the context of gender in a totally accessible way and reading a lot of what the author's sources said about burlesque and gender identity played out through performance really struck a chord with me. I felt so validated reading this that it has actually made me consider resurrecting an idea for an act that I had previously put to one side as I thought there would not be an audience for it.
I felt this thesis pinpointed for me a few thoughts that I had kind of been on the cusp of but had not quite been able to completely access, especially with regard to the concept of the burlesque aesthetic being about obvious artifice, creating beauty while at the same time drawing attention to the fact that it is not real.
As a teen and a younger woman I always felt that there was something fundamentally different between people like me and the 'beautiful people', it never occurred to me that the difference might just be powder and paint (and photoshop, and hair extensions, and shapewear and...). Burlesque shows you something beautiful but makes it blindingly obvious that the beautiful thing is not really real - reminding us that no beautiful thing is ever really what it seems. And I think that's a good thing. It doesn't devalue beauty in the world, it just makes the process more evident and reminds people that beauty is not solely the privledge of the born-beautiful.
In short, I think this essay is a must for anyone who is interested in how burlesque has come to be what it is in terms of gender and what this means for performers and their audiences. It also has an interesting section on alt-porn giants the Suicide Girls which I found quite enlightening.
So after all this exercise of the old grey matter I am going to go and do something mind-coddling (probably work on my patchwork quilt and watch some catch up TV).
'Til next time!
x
Emerald
As well as my less than graceful first foray into ballet lessons I decided a book might help me. As my day job is in a library, I was already in the right place! Scouring the shelves for something that would help me with my practice at home, I found 'The Ballet Book - A Young Dancer's Guide' by Andrew Ptak.
Now, I am clearly not a 'young' dancer (especially by ballet's standards) but it was the only one with pictures of the different positions and techniques so I snapped it up. It did however, make me feel a little odd looking at it in public places. This highly visual tome was published in 1984, long before we, as a country, were all hysterical that even our own grandmother could be a paedophile waiting to lure sweet faced little tykes off to 'look at some puppies'. I have to say, it felt very strange to be openly looking at photo after photo of a little girl in a leotard demonstrating her flexibility. Still, it can't be as strange as some of the instructions I saw online where the model was a male dancer (perhaps in his twenties) with a tight leotard and a huge, shall we say, 'talent'.
Whether renting this book and risking my colleagues thinking I am interested in funny business with children will pay off and improve my dancing is yet to be seen but at least it means I can study the positions in my own time instead of desperately scrabbling to pick them up at class. Knowledge is power. Hopefully.
Earlier in the week I also had the pleasure of expanding my mind vis a vis burlesque by reading an enthralling MA thesis:
"The Fantasy of Real Women"
New Burlesque & The Female Spectator
by Emily Lane Fargo.
This article came to my attention through the MoB forum and a link posted by talented burlesque performer and all-round clever clogs Glorian Gray (to download a PDF of the thesis - and you should! - go here:
http://www.ministryofburlesque.com/burlesque-chat/10948-bit-burlesque-reading.html )
I was so enthralled by this paper that I flew throught the nigh-on one hundred pages in no time. It discusses burlesque in the context of gender in a totally accessible way and reading a lot of what the author's sources said about burlesque and gender identity played out through performance really struck a chord with me. I felt so validated reading this that it has actually made me consider resurrecting an idea for an act that I had previously put to one side as I thought there would not be an audience for it.
I felt this thesis pinpointed for me a few thoughts that I had kind of been on the cusp of but had not quite been able to completely access, especially with regard to the concept of the burlesque aesthetic being about obvious artifice, creating beauty while at the same time drawing attention to the fact that it is not real.
As a teen and a younger woman I always felt that there was something fundamentally different between people like me and the 'beautiful people', it never occurred to me that the difference might just be powder and paint (and photoshop, and hair extensions, and shapewear and...). Burlesque shows you something beautiful but makes it blindingly obvious that the beautiful thing is not really real - reminding us that no beautiful thing is ever really what it seems. And I think that's a good thing. It doesn't devalue beauty in the world, it just makes the process more evident and reminds people that beauty is not solely the privledge of the born-beautiful.
In short, I think this essay is a must for anyone who is interested in how burlesque has come to be what it is in terms of gender and what this means for performers and their audiences. It also has an interesting section on alt-porn giants the Suicide Girls which I found quite enlightening.
So after all this exercise of the old grey matter I am going to go and do something mind-coddling (probably work on my patchwork quilt and watch some catch up TV).
'Til next time!
x
Emerald
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